is a four-channel video/sound installation. Four small monitors are arranged across a wall, each above a small speaker that plays that channel's sound track. Hanging from the ceiling above the monitors are two rows of mirrors seen through fresnel lenses. Video stills from each of the four video channels are shown below.
is a two-channel video installation comprised of two wooden boxes sitting on a simple wood table. Looping video can be viewed through an opening in the front of each box. The video in channel 1 (in the box to the viewer's left) starts with a blank page on which a moving line creates a drawing of a fountain, which upon completion springs into full motion. The frame goes black and the image is redrawn every few seconds. Channel 2 is a video clip of the fountain depicted in the drawing in channel 1. Video stills from each channel are shown below.
is a two channel video/sound installation, with each channel projected at 100 inches diagonally. Channel 2 (to the viewer's right) shows a series of marbles falling into a vase of water, clattering around, gradually coming to rest and gathering into a pile. Each marble glows once it comes to rest, then flickers and the glow goes out. Once all of the marbles have fallen, they all shoot up out of the top of the frame, and the sequence repeats in slow motion. The audio track accompanying channel 2 consists of the sounds of the marble striking the bottom and sides of the glass vase. In the video in channel 1, each of the marbles has been removed and replaced with a line drawing. The line drawing in channel 1 follows the exact path of the marble in channel 2 that it represents, but precedes the marble in channel 2 in time by two seconds. The line drawing fades out once it comes to rest. The audio for channel 1 is the plopping sound a marble would make as it breaks the surface of the water in the vase. A video still from each channel is shown on this page.
is a single-channel video/sound installation. At one end of the gallery, there is a small table upon which a wooden box sits. Above the table is a grid of nine wood frames that each contain a mirror resting behind a fresnel lens. Inside the wooden box, a video plays on a small monitor. The exact same video is projected at 100 inches diagonally high on the wall at the opposite end of the gallery and is reflected in the nine framed mirrors. The box on the table is designed to be similar to ship's clock boxes that were used years ago on sailing ships and would hold the extremely accurate clocks needed for navigation. Ships' clock boxes could be unlocked only by the ship's captain, but they had openings that allowed anyone to see the clock. Video stills from each of the five scenes in the video for this piece appear below.
is a four-channel video installation. One of four five-inch video monitors is mounted on each of the four walls of a small room and a five by five grid of mirrors behind fresnel lenses hangs from the ceiling. The effect of the ceiling grid and the monitor arms projecting into the room is to compress the space both from the sides and the top. This piece is a predecessor to, but quite different in feeling from, the later Untitled (Ceiling Piece).
